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A Fake Grave for a Fictional Elf Moved a £430 Million Undersea Cable — episode cover art
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A Fake Grave for a Fictional Elf Moved a £430 Million Undersea Cable

About this story

A Fake Grave for a Fictional Elf Moved a £430 Million Undersea Cable. HSK 5-6 Chinese listening practice.

This is an HSK 5-6 Chinese listening episode that runs about 4 minutes. The full Mandarin script is shown with tap-for-pinyin and a line-by-line English translation, so you can listen and read at once — comprehensible input in the sense of Stephen Krashen's i+1 theory. It teaches 14 key vocabulary words such as 虚构、设定、常理 and walks through 3 grammar patterns, each explained in English with examples. The same news story is retold at 4 difficulty levels — use the level selector above to find the version that is challenging but still understandable for you.

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原文

Read the complete story in Chinese. Reveal pinyin and English only when you need them.

一个虚构角色一条亿千万英镑海底电缆改了
发生西南一个海滩
值得因为同时一个故事一个奇怪问题
这个怎么
哈利波特一个角色精灵
这类角色设定他们被绑主人家里不能自己离开除非主人他们一件衣服
所以故事拿到那只袜子一刻就是获得自由一刻
电影来说袜子从此有了另一意思
系列最后比为主角
拍摄就是海滩
电影上映之后没有组织没有号召那个自己出现
有人海滩石头堆了一个小小的
后来不断往上石头手写卡片最多袜子
一只一只石头底下一堆就是几年
这里必须说清楚一件事因为它是整个故事关键下面什么都没有
不是从来没有存在不是一堆被人堆起来石头
每年仍然成千上万专程开车来到海滩留下一只袜子然后离开
现在另一线
英国爱尔兰之间一个电力工程格林
它是一条海底电缆两国起来一边电力过剩可以输给另一边
造价亿千万英镑可以大约十八万户家庭供电
这类工程一个物理条件电缆必须某处上岸
设计登陆正好落在海滩
精确正好落在石头所在位置
常理不会成为新闻
一个海滩民间纪念一项国家基础设施面前通常没有任何分量
英国一档电视节目做了一期内容电缆哪里上岸
节目播出之后工程电话被打
进来的是成百上千哈利波特读者观众
诉求只有一句不要那个地方
然后这个故事真正直觉部分工程改了
他们重新设计登陆路线电缆旁边避开石头
工程去年通电目前正常运行
这里为止一个讨人喜欢故事普通几百电话一项亿英镑工程一个虚构角色
还有一个细节整件事变得复杂一点
改道之后路线一片真正青铜时代遗迹旁边经过
那是几千年前真实生活过的留下痕迹
施工谨慎避开没有造成破坏
所以最终结果一个虚构角色一批真实存在过的人的遗迹一片海滩得到同等保护
差别在于只有其中一个引发几百电话
一个没有人为打电话保护的是法规专业判断
不是粉丝什么
恰恰相反说明一个常被低估事实民意是能改变基础设施走向只要足够集中足够具体并且得到
真正值得一个问题
一个地方之所以重要因为那里确实发生什么还是因为足够相信并且愿意为此什么
答案一个石头下面一个石头旁边
你想一想如果你会一个虚构角色那个电话
English transcript reference

A fake grave for a fictional character moved a £430 million undersea cable.

It happened at a beach in southwest Wales, called Freshwater West.

It is worth telling because it is at once a warm story and a genuinely strange question.

First, where the grave came from.

In Harry Potter there is a character called Dobby, a house-elf.

The premise for that kind of character is this: they are bound to their master's household and cannot leave of their own accord, unless the master gives them an item of clothing.

So in the story, the moment Dobby is handed that sock is the moment he becomes free.

For anyone who has seen the film, a sock has carried a second meaning ever since.

At the end of the series, Dobby dies saving the main characters.

The location that scene was shot in is this beach.

After the film came out, with nobody organising it and nobody calling for it, the grave simply appeared.

Someone used the stones lying on the beach to build a small tomb.

People who came later kept adding to it: stones with words painted on them, handwritten cards, and most of all, socks.

One sock after another pressed under the stones, accumulating for over a decade.

One thing has to be stated plainly here, because it is the crux of the whole story: there is nothing underneath.

Dobby is not a person and never existed. That is not a tomb. It is a heap of stones people put there.

And yet, every year, tens of thousands of people still drive out to this beach specially, stand for a while, leave a sock, and go.

Now the other thread.

Between Britain and Ireland there is an electricity project called Greenlink.

It is an undersea cable linking the two national grids, so that when one side has surplus power it can send it to the other.

It cost four hundred and thirty million pounds and can supply about three hundred and eighty thousand households.

This kind of project has one unavoidable physical constraint: the cable has to come ashore somewhere.

And the designed landing point fell exactly on this beach.

More precisely, exactly on the spot where that heap of stones sits.

By any ordinary reckoning, this would never have become news.

An informal memorial on a beach usually carries no weight at all against a piece of national infrastructure.

But a British television programme ran a segment on where this cable would come ashore.

After it aired, the company's phone lines were overwhelmed.

The callers were hundreds upon hundreds of Harry Potter readers and viewers.

The ask was a single sentence: do not touch that place.

And then comes the genuinely counterintuitive part of this story: the company changed it.

They redesigned the landing route so the cable ran around the side, clear of the heap of stones.

The project went live last year and is operating normally.

Up to this point it is an extremely likeable story: ordinary people made a few hundred phone calls, and a four-hundred-million-pound project gave way to a fictional character.

But there is one more detail that makes the whole thing a little more complicated.

The rerouted path runs past a set of genuine Bronze Age remains.

Those are traces left by people who really lived, thousands of years ago.

The contractors carefully avoided those as well, and caused no damage.

So the final outcome is this: a fictional character's fake tomb, and the remains of people who really existed, on the same beach, receiving equal protection.

The difference is that only one of them triggered a few hundred phone calls.

Nobody phoned in for the other one. It was protected by regulation and professional judgement.

This is not to say the fans did anything wrong.

Quite the opposite: it demonstrates something routinely underestimated — public feeling can change the course of infrastructure, provided it is concentrated enough, specific enough, and can find who to call.

What is actually worth thinking about is a different question.

Does a place matter because something really happened there, or because enough people believe it did and are willing to do something about it?

At Freshwater West, those two answers sit side by side: one under the stones, one beside them.

Think about it: if it were you, would you make that call for a fictional character?

Listen again

Try it without the transcript and notice what sounds clearer.

What vocabulary does this episode teach?

词汇
xūgòufictional

虚构角色 = a fictional character. The pivot of the whole piece.

shèdìngpremise, worldbuilding rule

这类角色的设定是…… = the premise for that kind of character is…

chánglǐordinary reckoning, common sense

按常理,这不会成为新闻 = by any ordinary reckoning this would not have been news.

fènliàngweight, standing

没有任何分量 = carries no weight at all.

sùqiúdemand, ask

诉求只有一句 = the ask was a single sentence.

dīgūto underestimate

常被低估的事实 = something routinely underestimated.

mínyìpublic feeling, public opinion

民意是能改变基础设施走向的 = public feeling can change the course of infrastructure.

fǎnzhíjuécounterintuitive

真正反直觉的部分 = the genuinely counterintuitive part.

jiāyǎng xiǎojīnglínghouse-elf

The kind of creature Dobby is.

jìniànwùmemorial object

民间纪念物 = an informal, grassroots memorial.

shàng'ànto come ashore

电缆必须在某处上岸 = the cable has to come ashore somewhere.

yíjìremains, ruins

青铜时代遗迹 = Bronze Age remains.

jīchǔ shèshīinfrastructure

国家级基础设施 = national infrastructure.

fǎguīregulation

靠的是法规,和专业判断 = protected by regulation and professional judgement.

* beyond level超纲词

What grammar patterns appear in this episode?

语法

到这里为止,……。但……

Lets the audience settle into one reading, then complicates it. The structural move of the whole piece.

到这里为止,这是一个很讨人喜欢的故事……但还有一个细节,让整件事,变得复杂了一点。

恰恰相反,……

"quite the opposite" — pre-empts a misreading the speaker expects.

这不是说粉丝做错了什么。恰恰相反,这件事说明了一个常被低估的事实。

只要……,就……

"provided that …, then …". States the sufficient condition.

只要它足够集中,足够具体,并且找得到该打给谁。

Proper Nouns

专有名词
多比DuōbǐDobby, the house-elf哈利波特Hālì BōtèHarry Potter弗雷什沃特韦斯特Fúléishíwòtè WéisītèFreshwater West, the beach in Wales格林林克GélínlínkèGreenlink, the Britain-Ireland undersea cable威尔士Wēi'ěrshìWales爱尔兰Ài'ěrlánIreland

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