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The Daily Mail Said It Found Meg White After 17 Years and Ran a Dozen Photos. The Woman in Them Wasn’t Her. — episode cover art
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Meg White

The Daily Mail Said It Found Meg White After 17 Years and Ran a Dozen Photos. The Woman in Them Wasn’t Her.

About this story

The Daily Mail Said It Found Meg White After 17 Years and Ran a Dozen Photos. The Woman in Them Wasn’t Her. HSK 3 Chinese listening practice.

This is an HSK 3-4 Chinese listening episode that runs about 3 minutes. The full Mandarin script is shown with tap-for-pinyin and a line-by-line English translation, so you can listen and read at once — comprehensible input in the sense of Stephen Krashen's i+1 theory. It teaches 10 key vocabulary words such as 记者、问题、篇 and walks through 3 grammar patterns, each explained in English with examples. The same news story is retold at 4 difficulty levels — use the level selector above to find the version that is challenging but still understandable for you.

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原文

Read the complete story in Chinese. Reveal pinyin and English only when you need them.

一个
Meg White 以前一个乐队鼓手那个乐队非常
乐队以后就不出来接受采访照片上台
十七公开场合没有
一个这样消失通常自己理由别人不必知道
今年八月六号英国 Daily Mail一篇报道
标题意思我们找到
报道这位隐居音乐现在一种生活
下面照片跟着拍的本人不知道
报纸十七年来第一次拍到
报道记者 Joe Hutchison
这里为止只是一篇常见娱乐报道
变成一件事中间一个动作
记者之后上前去问了一句
你是 Meg White
那个女人笑了告诉认错
当面得很清楚
然后报道还是
拍的照片还是出来
几天Karen Elson 看到这些照片
她是 Jack White 前妻认识那个圈子里一眼认出来
认出照片不是 Meg White Meg White 一个朋友
一个普通
Daily Mail 随后文章照片网站下来
没有更正也没有道歉
现在拆开一共到了个人
一个 Meg White
十七出现本身就是一个明确表态
报道整个前提起来我们可以破解
第二个照片那个女人
完全没有关系只是认识 Meg White
被人几天照片然后这些照片全世界
当面否认那句否认没有任何作用
一层最让舒服
报道一个可以更正问题事情有限
但是记者当面问过当面否认然后照发那就不是
那是从一开始打算答案挡住
所以真正问题在于认错
在于那个问题出来时候答案已经重要
你想一想
如果有认错还把你的照片全世界什么
English transcript reference

Start with a person.

Meg White was once the drummer in a band, and that band was extremely famous.

After the band broke up she stopped appearing: no interviews, no photographs, no stage.

Seventeen years, and in public she was simply not there.

When a person disappears like that they usually have their own reasons, and other people do not need to know them.

On the sixth of August this year, the Daily Mail in Britain published a report.

The headline said, in effect: we have found her.

The report said this reclusive woman musician was now living another kind of life.

Below it were more than ten photographs, taken by following her, without her knowledge.

The paper wrote: this is the first time she has been photographed in seventeen years.

The reporter who wrote it is called Joe Hutchison.

Up to this point, it is simply a very ordinary piece of entertainment journalism.

What turned it into something else is one action in the middle of it.

After taking the photographs, the reporter walked up and asked her a question.

He asked: are you Meg White?

The woman laughed, and told him: you have got the wrong person.

She said it to his face, and she said it clearly.

And then the report ran anyway.

More than ten covertly taken photographs were printed anyway.

A few days later, Karen Elson saw the photos.

She is Jack White’s ex-wife, she knows the people in that circle, and she recognised her at a glance.

She identified the woman in the photos and said it was not Meg White — it was a friend of Meg White’s.

An ordinary person.

The Daily Mail then took the article and the photos down from its website.

It issued no correction, and no apology.

Take this apart now, and two people were harmed by it.

The first is Meg White.

Seventeen years of not appearing is, in itself, a perfectly clear statement.

And the entire premise of that report is that her hiding is a thing we are entitled to crack.

The second is the woman in the photographs.

She has nothing whatsoever to do with any of this; she simply knows Meg White.

She was followed for days, covertly photographed more than ten times, and then those photographs were sent to the whole world.

And she denied it to his face, and that denial had no effect at all.

This layer is the one that sits worst.

Getting a report wrong is a correctable problem, and its damage is limited.

But asking to her face, being denied to his face, and publishing regardless — that is not getting it wrong.

That is never having intended to be stopped by the answer.

So the real problem here is not that they identified the wrong person.

It is that by the time the question was asked, the answer no longer mattered.

Think about it:

If someone mistook you for another person and sent your photo to the whole world, what could you do?

Listen again

Try it without the transcript and notice what sounds clearer.

What vocabulary does this episode teach?

词汇
jìzhěa reporter

The whole story pivots on one thing the 记者 did after taking the photographs.

wèntía question; a problem

Both senses are in play: the 问题 he asked, and the 问题 with the piece.

piānmeasure word for articles

一篇报道 — one piece of reporting.

rènshito know (a person)

Her only link to the story: she 认识 Meg White.

dàoqiànto apologise

没有发更正,也没有道歉。

yǐnjūto live in seclusion

隐 hidden, 居 to dwell. What she chose for seventeen years.

tōupāito photograph covertly

偷 to steal, 拍 to shoot. Photographs taken without the subject knowing.

gēngzhènga correction (in a publication)

The thing the paper never issued.

yuèduìa band

乐 music, 队 team.

gǔshǒua drummer

鼓 drum, 手 hand — the -手 suffix names the doer.

* beyond level超纲词

What grammar patterns appear in this episode?

语法

让……变成……的,是……

Names the thing that changed something into something else.

让它变成另一件事的,是中间的一个动作。

不在于……,在于……

The point is not X, it is Y — used to relocate the real issue.

真正的问题,不在于认错了人。在于那个问题被问出来的时候,答案已经不重要了。

当面

To someone’s face, in person.

她当面说了。 — She said it to his face.

当面被否认过 — was denied to his face

Proper Nouns

专有名词
Meg WhiteMeg WhiteMeg White, former drummer of The White StripesDaily MailDaily Mailthe Daily Mail, the British newspaperJoe HutchisonJoe Hutchisonthe reporter who wrote the pieceKaren ElsonKaren ElsonKaren Elson, who identified the woman as a friend of Meg White

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来源

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