A Chinese podcast · Same story, 4 levels

今晚这扇门对你关上
Tonight This Door Closes on You
About this story
Advanced Chinese audio drama: Qingyi turns Mulan's first night in the mansion into a trap, keeping both the witness and the knife inside the house. HSK 5-6 Chinese listening practice.
This is an HSK 5-6 Chinese listening episode that runs about 5 minutes. The full Mandarin script is shown with tap-for-pinyin and a line-by-line English translation, so you can listen and read at once — comprehensible input in the sense of Stephen Krashen's i+1 theory. It teaches 8 key vocabulary words such as 身份、保护、承认 and walks through 2 grammar patterns, each explained in English with examples. The same news story is retold at 4 difficulty levels — use the level selector above to find the version that is challenging but still understandable for you.
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原文Read the complete story in Chinese. Reveal pinyin and English only when you need them.
旁白
牧兰住进慕容公馆的那天,箱子比人先到。清渝
母亲已经问了两次,这些东西是不是太张扬。清峄
张扬才是目的。她要整座公馆承认,住进来的是方家的女儿。清渝
她本来就是我的未婚妻。清峄
未婚妻三个字,保护不了她的脸。清渝
你还要把订婚宴上的那一眼,说成证据?清峄
那一眼不够。清渝
你这是在家里设套。清峄
她先把家搬进了套里。旁白
清峄说要送她回公馆。清峄
你住进来以后,下人会开始叫你少奶奶。牧兰
他们叫什么,不改变我是谁。清峄
对。改变不了的东西,才最麻烦。牧兰
你又要提任素素。清峄
我为这个女人坐了三年。牧兰
你把旧恨放到一个刚搬进来的女人身上,只会让清渝为难。清峄
清渝为难,是因为他必须保护这个家的体面。牧兰
那你看清楚了吗?清峄
还没有。所以我会找一个比我更早见过她的人。清渝
李管家的船明天靠岸。清峄
车站会很乱。乱,对想灭口的人最方便。清渝
你确定她会去?清峄
如果她只是长得像,李管家对她没有意义。清渝
你要把他带到宴会上去认人?清峄
先让他活过今晚。清渝
万一她不去呢?清峄
那我就承认,也许我看错了。旁白
牧兰到得很准。牧兰
李管家?别出声。跟我走。旁白
袖管里没有手臂。牧兰
你用假人换他。清峄
你第一句不是“你好”。是“别出声”。牧兰
人在哪儿?清峄
不在你能碰到的地方。牧兰
你保护一个旧仆人,是因为你爱那个死人,还是因为你恨我?清峄
我保护他,是因为他记得一张脸。你今晚要做的事,比承认名字更清楚。牧兰
你没有看见我做什么。清峄
我看见你来了,也听见你不让他说话。把人带走,和开枪一样。旁白
牧兰回来时,披风还没有解开。清峄
第二趟已经来不及了。牧兰
让开。清峄
刀。牧兰
你今晚很得意。清峄
我不得意。我只确定一件事:见过素素的人还活着,而你不能再出门。牧兰
你要把准大嫂软禁在自己家里?清峄
我要把一个准备灭口的人,留在我看得见的地方。牧兰
你以为一张旧脸就能结束三年?清峄
不能。所以今晚这扇门对你关上。结束不了的事,至少先停在门里。旁白
新搬来的家具还带着木箱味。English transcript reference
The day Mulan moved into the Murong mansion, the trunks arrived before she did.
Rosewood, porcelain, blankets shipped from the South Seas — carried through the hall one by one, like a self-introduction that did not need words.
Mother has already asked twice whether these things are too showy.
Being showy is the point. She wants the whole mansion to admit that the person moving in is a daughter of the Fang family.
She has always been my fiancée.
The word fiancée cannot protect her face.
What it protects is this family's need to treat her as a guest, not as a suspect.
Are you still going to turn that one look at the engagement banquet into evidence?
That one look is not enough.
So I changed my mind.
From today on, I will not ask whether she is Susu.
I will watch whether she lets someone who has seen Susu live long enough to speak.
You are setting a trap inside the house.
She moved the house into the trap first.
Qingyi says he will take her back to the mansion.
Mulan looks at him once, then still gets in the car.
The cabin is not large, but the last three years suddenly feel very close.
After you move in, the servants will start calling you young mistress.
What they call me does not change who I am.
Yes. The things that cannot be changed are the most troublesome.
You are going to bring up Ren Susu again.
I sat three years for this woman.
Not three years under house arrest. Three years I could not leave, and could not be believed.
If you are her, do not expect me to let go.
Putting old hatred on a woman who has just moved in will only make Qingyu's position harder.
Qingyu is in a hard position because he must protect this family's respectability.
I am in a hard position because I must find out who is sitting beside that respectability.
Have you seen clearly yet?
Not yet. So I will find someone who saw her earlier than I did.
Steward Li's ship docks tomorrow.
The station will be chaotic. Chaos is most convenient for someone who wants to silence a witness.
You are sure she will go?
If she only looks like her, Steward Li means nothing to her.
If she is Ren Susu, Steward Li is a knife that has not been taken away yet.
You are going to bring him to the banquet to identify her?
First let him live through tonight.
If she goes to the station, I will know whom she fears.
The real man is already off that road.
What if she does not go?
Then I will admit that perhaps I was wrong.
But I am betting she will go.
A person who is not afraid of being recognized does not need to rush to the station in the night.
Mulan arrives exactly on time.
The man in the hat sits in the shadow, the curve of his shoulders like someone who has just left a ship and has not yet had time to look up.
Steward Li? Do not make a sound. Come with me.
There is no arm inside the sleeve.
The dummy falls outward. The hat lands on the brick, showing a collar stuffed with cloth.
You replaced him with a dummy.
Your first words were not "hello." They were "do not make a sound."
Where is he?
Somewhere you cannot reach.
You protect an old servant because you love that dead woman, or because you hate me?
I protect him because he remembers a face. What you came to do tonight is clearer than admitting a name.
You did not see me do anything.
I saw you come, and I heard you stop him from speaking. Taking the person away is the same as firing a gun.
When Mulan returns, her cloak is still unfastened.
Qingyi stands in the hall, his eyes on what her right hand is hiding.
There is no time for a second trip.
Move.
A knife.
A dinner knife hidden behind your back is not for cutting fruit.
You are very pleased with yourself tonight.
I am not pleased. I am only sure of one thing: the person who saw Susu is still alive, and you cannot go out again.
You are putting your future sister-in-law under house arrest in your own home?
I am keeping a person who came to silence a witness where I can see her.
Tomorrow Steward Li will stand in the garden.
Then you can decide whether you still want to say, "I am Mulan."
You think one old face can end three years?
It cannot. So tonight this door closes on you. What cannot be ended can at least be stopped inside the door.
The newly moved furniture still smells of the packing crates.
Mulan stands inside the identity she stacked up with money, and for the first time understands that these things can also block the road.
The dinner knife stays by the plate, like a letter that does not need a name.
Listen again
Try it without the transcript and notice what sounds clearer.
What vocabulary does this episode teach?
词汇the social role someone needs others to accept
to keep a person or a family's name safe
to say that something is true
someone others treat as possibly guilty
to stop someone from talking, often by force
keeping someone inside a house against their will
the public dignity a family wants to keep
a table knife hidden as a weapon
* beyond level超纲词
What grammar patterns appear in this episode?
语法Proper Nouns
专有名词Free account
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